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Better yet, they're fairly inexpensive when comparing them to a standalone cinema cameras with similar recording formats. border: 1px solid; As the first to market full-frame mirrorless cameras, Sony has a developed an impressive range of short telephoto primes that are ideal for portraits and indoor sports. } You can look forward to clear and detailed images thanks to reliable autofocus and effective image stabilization. border-color: #cccccc; The lens has no physical controls other than the focus and zoom rings, which are pleasant to turn. The 55mm F1.8 Sonnar T FE ZA is Sony’s first FE standard prime and remains king when it comes to price and performance. And if you are looking to shoot macro photos then the Sony FE 90mm f/2.8 Macro G OSS is one of the best Sony full-frame lenses you could get. then you probably can't appreciate the intended purpose of this lens. Full frame cameras bring out the best in this lens, and that's massive distortion, and the 180° field Its balance is superb despite its formidable dimensions, especially once you attach the tripod mount. border-color: #cccccc; Here's an updated version of my Tokina 11-16mm lens review, with full frame samples and tests from my Canon 6D, and my standardized sharpness test. noticeable in the viewfinder, but don't do this because your subject will be out of focus. Flaring is controlled, especially once you attach the broad lens hood and add polarizers. google_ad_client = "pub-5371664674251221"; If you're bothered by stuff like this, Its ubiquitous focal length and portability make this the ideal lens for travel photographers who need to capture sunsets, architecture, and people with equally impressive results. A seven-bladed diaphragm is responsible for slightly geometric yet pleasing bokeh. width: 710px; -->. The crops above were taken from the middle of the image. .table_d2e17 { The Samyang hit the market as the overall widest aperture 16mm lens, but Tokina later dampened this claim with the release of their 14-20mm zoom … They’re the only physical controls as you switch from automatic to manual focus via your camera. .table_d2e414 { It even allows for pleasant, small spheres of light to be visible at f/5.6 with the help of the aperture’s nine rounded blades. All of Sony’s FE lenses have proven to be sharp, and the FE 90mm f/2.8 Macro G OSS follows this trend. This architectural shot displays what this lens will do to straight lines near the edges. Shooting stills or movies, this slim (20.4 mm), lightweight pancake lens offers outstanding performance.Use it for interiors, nature, snapshots, and more. Copyright ©2006-2019 kurtmunger.com. border: 1px none; .table_d2e414 td { } I’ll be uploading some sample photos I took in Tokyo soon, but in the meantime, have a read about this incredible lens. border: 1px solid; google_ad_width = 728; Reproduction It will just be bigger and bulkier than the equivalents made for the crop cameras as those lenses are physically smaller. The nine-bladed diaphragm creates rounded and soft circles with clear transitions whose appearance is pleasing to the eye. On the outside, there is the standard Sony matte black finish, This lens is designed for the full-frame Sony E mount camera systems. .table_d2e441 { This crop was taken from the last 700 pixels at the right top of the original image. There are also built-in filters for film use. FE 24-70 on A7m2 -->, . .table_d2e530 { finger popped up in a few images on the lower left corner. 16mm F/2.8 fish-eye is a fun lens to use, and I encourage people to just go out and start shooting, and see what kind of crazy It also doesn’t balance well when fully extended. However, compared with the top-flight Sony 24-70mm f/2.8 G Master, this lens is smaller, lighter and feels better balanced on A7-series bodies. The 55mm F1.8 Sonnar T FE ZA has a luxurious metal body and is a pleasure to handle. It’s sharp, responsive, and the perfect tool to have if you frequently switch from portraits to sports photography. google_ad_slot = "0539846242"; It is exceptionally well-engineered since a wide max aperture of 1.8 doesn’t come at the cost of weight. A full-frame lens (Sony 16-35 f/2.8) should work just fine on an a6000 crop body as long as the mount is the same (or you have an adapter). The lines at the lower left corners } Chris Brockhurst 80,223 views. focus with a wide open aperture shows less light fall-off than at infinity focus. It’s among the sharpest primes in existence and effortless to use. Shooting stills or movies, this slim (20.4 mm), lightweight pancake lens offers outstanding performance.Use it for interiors, nature, snapshots, and more. There’s strong vignetting at f/1.8, but it goes away once you step the aperture down. Coma is not something to concern yourself with on this lens. The Sony 16mm F/2.8 fish-eye is a full frame fish-eye, meaning the image covers the entire film or sensor frame. border-color: #000000; Even in this small image, color fringing is noticeable along the outline of the left mountain. World-class sharpness for a standard prime. The Sony 16mm F/2.8 fish-eye is a full frame fish-eye, meaning the image covers the entire film or sensor frame. The Sony E 16mm F2.8 Pancake is an inexpensive fixed wide-angle prime lens for Sony's APS-C format NEX interchangeable lens cameras. The Sony E 16mm ƒ/2.8 lens is fast and tiny, making it a very attractive option for travel photography. with this lens, and not so much the distortive effects, but that's just me. It does all of this at a wide max aperture of f/.28, meaning it’s an excellent choice for event and wedding photography too. 3.15"  (80mm) distance is from longest hood protrusion. border-color: #cccccc; Handles flaring and chromatic aberration well. Taking a look at one of the most common questions that I get asked - is it okay to use APS-C lenses on your full frame Sony camera? While Sony lenses can be shared across all of its bodies as the mount is the same regardless of sensor size, many are specifically designed to be used on either the full-frame … Placing it in automatic mode enables manual focusing from your camera’s menu as well as focus locking. The Sony FE 24-105mm f/4 G OSS isn’t Sony’s ‘best’ standard zoom lens for its full-frame cameras. The Samyang 16mm f/2 ED AS UMC CS Lens hit the market claiming the widest aperture for any prime lens wider than 20mm. Sony Full Frame A-Mount lenses. When used with a full-frame sensor camera, this 16mm lens produces a 106.9°, super-wide angle of view. The Samyang 16mm f/2 lens is slightly soft at f/2, but rather evenly so across the entire frame. } The MC4 optics aren't great though. are from the edge of the panel I used for measuring light fall-off. border-color: #cccccc; The Sony 16-55mm f/2.8 finally gives speeds that felt similar to what we would expect from full frame Sony E-Mount lenses, and is much faster than any previously available options. SELC1635G. Ghosting control is fairly poor, as seen above. qualities and 180° coverage of this fish-eye lens, a conventional 16mm lens would not produce anything similar. While uncommon for wide-angle lenses, it introduces three stops of image stabilization that help you take better pictures without relying on a tripod. Its speed is acceptable in single-shot mode and ramps up considerably when shooting continuously. Interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors are added as members of the Art line. The good news is that FE lenses are compatible on APS-C cameras. This lens isn't much bigger than a body cap. with a rubber grip area around the bottom of the barrel. In the last couple of product shots above I removed the bulbous front It’s the lens to get if you’re into landscapes, interiors, group events, or urban photography. Built-in Optical SteadyShot™ image stabilization within the lens provides smooth, blur-free photos and videos when shooting handheld. It’s uncommon to see a telephoto lens that holds its own at f/22 and can create a shallow depth of field without the image becoming soft even when zoomed in completely. The Cine DS primes' hybrid aspherical elements render sharply-defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11.8" from the lens. While the FE 90mm f/2.8 Macro G OSS’s autofocus is dependable, manual focusing has its benefits. In this picture, the left and right side mountains behind the gazebo appear much steeper than in real This 35 mm Full Frame lens works with Sony α cameras. 3D Insider publishes news, tutorials, and reviews about the latest emerging tech. A Takumar 17mm lens is compact and works well with the A7 (I have one), but it is flare … you how much you can expect. border: 1px solid; the sun seems to be well controlled. Best Budget Option – Sony 55mm F1.8 Sonnar T FE ZA. Here's some good old fashioned purple fringing, like you used to see in some fixed lens camera's not 1. Macro Lenses. -->. The 16-50 F2.8 covers full-frame on a Kenko MC4 1.4x/1.5x teleconverter. The autofocus works well in low light, and you’ll love it during video recordings of wedding vows and other momentous occasions since it isn’t distracting. I wouldn't worry much about noticing "bokeh" on this in whole or in part without the express written permission of kurtmunger.com is prohibited. Claim big savings on new Sony lenses; Sony full-frame vs APS-C format. Full-frame lenses certainly are expensive and heavy compared to their crop-sensor counterparts, but you can buy lenses for your a7R IV and use them on your a6600 when need be. of ultra-wide angle lenses though. width: 710px; Accuracy for stationary subjects is superb and better than average if they’re moving thanks to Sony’s face- and eye-tracking. the metal levers visible in the second to last shot above do not move when turning the ring and changing filters, so I wonder, I was able to put the camera inside the window frame for this shot at F/22, and get the window opening, Overall, focus performance on the Sony 16-55mm f/2.8 is excellent in all but the darkest scenes. Sony, this lens is small and compact design ; Select to compare used! Everything else is black shade in the middle of the future before everyone else SteadyShot™ stabilization... Fill the need the 16-50 F2.8 covers full-frame on a 35mm camera wide-angle zoom covers! 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And lets you specify the distance as shown on a full-frame or APS-C body unless the lighting poor! Not accept conventional filters, and the 55mm F1.8 Sonnar t FE ZA is no....

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